The fourth episode of X‑Men ‘97’s second season, titled ‘Rise of Apocalypse Part II,’ finally gives the iconic villain the depth and nuance he deserved in comics. By intertwining Professor Xavier and Magneto’s misguided intervention with the villain’s rise, the series reshapes the narrative landscape of Marvel television.
Marvel’s most infamous mutant tyrant, Apocalypse, finally receives a true cinematic counterpart in X‑Men ‘97. In Season 2’s fourth episode, the series not only crowns En Sabah Nur (Adetokumboh M'Cormack) as Apocalypse for the first time, but also reveals that Professor Xavier (Ross Marquand) and Magneto (Matthew Waterson) inadvertently paved the way for his ascension.
Comic Roots and Early Appearances
Apocalypse debuted in the shadows of X‑Factor #5 (1986), created by Louise Simonson and Jackson Guice. The following issue introduced him as a towering mutant with shapeshifting abilities, his body fused with ancient Celestial technology – the same cosmic artifacts later seen in the MCU’s Guardians of the Galaxy and Eternals. He commanded the villainous Alliance of Evil against the original X‑Factor team—Cyclops, Jean Grey, Beast, Iceman and Angel.
From Page to Screen
While the 1990s crossover Age of Apocalypse cemented his mythos, cinematic attempts fell short. Oscar Isaac’s portrayal in the 2016 film X‑Men: Apocalypse offered visual flair but lacked character depth. Earlier cartoons, especially the original X‑Men: The Animated Series, gave him screen time but never explored his tragic origins fully.
How ‘X‑Men ‘97’ Changes the Game
Season 2 splits the team across timelines: one group lands in the 40th century under Apocalypse’s iron rule, while another arrives in ancient Egypt before En Sabah Nur becomes the world‑ending god. Magneto sees a chance to rewrite history by mentoring young Nur, hoping to steer him toward Xavier’s vision of mutant‑human cooperation. The plan backfires when Nur discovers the X‑Men’s future origins, joins forces with Rama‑Tut, and ultimately embraces his dark destiny.
The episode’s emotional core lies in the irony that Xavier and Magneto—longtime ideological rivals—are unwitting collaborators in the birth of the series’ most formidable antagonist. The Celestial temple they seek is the very ship Apocalypse will later command, its walls etched with prophetic murals of the X‑Men’s role in his origin story.
Implications for Future Storytelling
By positioning the heroes as both witnesses and participants in Apocalypse’s rise, the series adds a layer of moral complexity rarely seen in superhero television. Future episodes can now explore whether Xavier’s interventionist philosophy and Magneto’s revolutionary zeal can ever truly counteract a villain who believes “survival of the fittest” is a universal law.
In essence, X‑Men ‘97 marries the rich lore of the comics with modern animation and sophisticated narrative design, delivering an adaptation that finally honors the villain’s legacy while pushing the boundaries of Marvel’s televised storytelling.