Big Hit Music has dismissed the plagiarism claims surrounding BTS’s new single ‘Swim’ as a one‑sided accusation and announced a robust legal defense. The label faces a lawsuit filed by three American songwriters alleging copyright infringement.

Key Takeaways

  • Big Hit Music denies plagiarism allegations against ‘Swim’
  • Three U.S. songwriters have filed a copyright lawsuit
  • The label pledges a strong legal response

South Korean entertainment powerhouse Big Hit Music has categorically rejected the plagiarism accusations leveled at BTS’s latest track, Swim, the lead single from their fifth studio album Arirang. The controversy erupted shortly after the song’s release, prompting intense scrutiny from the global music community.

Background

American songwriters Steve Cooper, John Sandler and Graylyn Johnson filed a civil suit claiming that ‘Swim’ mirrors a demo they recorded in early 2025. According to the plaintiffs, the demo was circulated among several industry contacts, including staff at Artist Publishing Group, and eventually reached writers involved in the BTS track.

Legal Dimensions

The complaint names HYBE, its U.S. subsidiary HYBE America, and Big Hit Music as defendants, alongside credited co‑writers such as Ryan Tedder of OneRepublic. While BTS member RM is listed as a co‑writer, none of the group’s members were named as defendants. Musicologist Alexander Stewart was hired to conduct a comparative analysis, concluding that the chorus hook, harmonic texture, rhythm, and lyrical motifs overlap to a degree that “cannot be coincidental.” Stewart’s expertise includes prior high‑profile cases involving Ed Sheeran and Led Zeppelin.

Big Hit Music’s Response

In a statement dated July 10, the label called the lawsuit “entirely based on unverified claims” and reaffirmed that ‘Swim’ was created independently. Big Hit Music pledged to “contest the allegations firmly through appropriate legal channels,” emphasizing its commitment to protecting the artistic integrity of its artists.

Implications for the Industry

If the court sides with the plaintiffs, it could set a precedent for stricter copyright enforcement in the K‑pop sector, compelling labels to adopt more rigorous clearance processes. Conversely, a successful defense by Big Hit Music would reinforce the autonomy of global collaborations and may encourage more cross‑border songwriting ventures. Industry analysts warn that such disputes underline the need for clearer international copyright frameworks.